In the summer of 1972 Anthony Boccaccio ventured into the deep Amazon Jungle
at a time when only Indians, a few brave adventurers, road-builders and
gold miners inhabited God’s Green Hell. Just twenty-two years old at the
time, he was one of the first to document in text and photographs the
construction of the legendary TransAmazonica — a dirt road
cut through the heart of the jungle connecting the farthest reaches of
western Brazil with the Atlantic coast.
Back then, the Amazon jungle was practically untouched. The rivers were
clear and full of fish. The forests were uninhabited except for a few
homesteaders, river-dwellers, and Indian tribes, many of which were still
undiscovered. The land was primordial, reminiscent of images of the dawn
of Eden.
He returned to the Amazon twenty years later, only to find that the
Transamazonic Highway, and others like it, changed everything. Much has
happened in the Amazon since the first of a million great forest giant
buttress trees were felled. Hydroelectric dams have flooded millions of
acres of virgin forest. Railroads have been built. Tin, manganese, iron
ore, copper, nickel, lignite, natural gas, aluminum, diamonds,
silver and gold were discovered in vast quantities. The Transamazonic road
now has less than seven hundred of its original three thousand miles of
passable roadbed left. Indian tribes have been “civilized” practically
out of existence. In the state of Rondonia, an area the size of Belgium
has been incinerated and the world waits in suspense to see if the burning
will continue into the next decade and across the whole forest. National
Parks have been established. Territories have been turned into states, and
regions into new territories. The whole place has been crisscrossed with
new roads. Indian Reservations have been established and whole populations
of the Natural Man has been lost. Long and short term scientific studies
have been launched while 30,000 new species of animal and plant life
have been recorded. More than 500,000 species, unknown and yet
undiscovered have gone extinct. Cultures have collided; Indians mix with
Whites, impoverished homesteaders have become land barons overnight,
cattle ranchers are fighting farmers who are fighting the rubber-tapper.
Everyone fights the government. Only Nature has her way.
In the midst of this amazing ecological and cultural collision, one
individual, more than any other, has contributed to the devastation of the
land, the poisoning of the rivers, the decimation of the Indians, the ruin
of the family, and the wealth of a few: the garimpeiro —
the gold miner.
When the word spread up and down the roads and rivers, that there was gold
in the jungle, more than a million men left their homes and families in
search of gold. At the height of the gold rush, more than fourteen
tons of the yellow ore was carried out, one sack at a time, from the open
pit of the Serra Pelada. A multitude of mud-covered bodies crawled up the
steep, red-cliffs of the mine, each with a sack of earth slung over his
shoulder. Every ounce of rock in those sacks contained precious amounts of
gold. From a distance, the ground itself seemed to move, as thousands upon
thousands of men climbed like ants up and down wooden ladders. The scene
was apocalyptic, reminiscent of the building of the great Pyramids.
Where
Madness Follows is the story of the search for gold in the Amazon
jungle. It is the story of the miners, the land, the life, and the
adventure of these remarkable men who risk everything for the sake of
gold.
Boccaccio’s work is a rich blend of imagery and words — nearly 300
photographs spanning two decades and 40,000 kilometers of travel
throughout the vast Amazon jungle — words taken from his diaries and
from the very mouths of miners, settlers, women, children, missionaries,
soldiers, politicians, adventurers, colonists, engineers, and Indians.
This is a rare treat and a remarkable look at what is perhaps the greatest
and last gold rush of the Twentieth Century. |
Anthony Boccaccio began his
career withNational
Geographic Magazine in 1971. Since then, his camera has taken him to
over thirty countries in as many years. Like most photographers, he is aseries of
contrasts, capturing images from the frozen landscapes of Iceland to the sweltering jungles of the Amazon. His photography is
represented by Getty Images and ImageTrust stock photo agencies.
To view more of Boccaccio's photography visit his website at
BoccaccioPhoto.com
When he's not
voyaging through the Amazon you can usually find Tony sipping good
Italian espresso somewhere in Rome, Italy. He directs and teaches
photographic workshops and offers photo tours inRome for those who like
to combine travel with photography. If you are interested in
spending a day or a week with Boccaccio, visit his web site at:
Imaging-in-italy.com
“Boccaccio is a straight
shooter. You always know where you stand with him. He speaks his mind
and reacts to life on a visceral level. He is not afraid to take risks
in his photography. He follows his instincts and works constantly to be
better. We think of him as part Ansel Adams and part Hemingway.”
- Paul Ambrose, Desert
Dolphin Agency
BELO MONTE DAM DISASTER: THE STRUGGLE
TO SAVE THE AMAZON AND THE INDIAN CULTURE: |